English translation in the online book The stirrng breath runnes on with stealing steppes,
vrged now vp, and now enforced downe:
For freedome eke tries all, it skips, it leaps,
to ridde it selfe from vncouth dungeon.
Then quakes the earth as it would burst anon,
The earth yquakes, and walled cities quiuer.
Strong quarries cracke, and stones from hilles doe shiuer.
translate.googles effort The risks of taking rapid steps, panting
Spirit countered, now here, now there excited;
Exploratque outlet to a stop, and every test,
If by any chance the vanquished, is able to break out of the prison.
Meanwhile, fears making great fall
Earth, with its broad shaking the walls of cities;
Auulsa bursts lasting huge rocks, Sec.
Born: April 1536 in Perugia (now Italy)
Died: 19 October 1586 in Alatri (now Italy)
Egnatio Danti was given the name Pellegrino Danti when he was baptised on 29 April 1536 and only took on the name Egnatio (often written Ignazio) when he entered the Dominican Order in 1555.
Both his father, Guilio Danti, and grandfather, Pier Vincenzo Rainaldi (Danti), were goldsmiths and architects who had written works on art.
Egnatio's brother Vincenzo, who was six years older, became famous as a sculptor who was strongly influenced by Michelangelo. At the age of 18, on 7 March 1555, Egnatio Danti entered the Dominican Order having already attended courses at the University of Perugia. In 1562 he was asked by Cosimo I de' Medici, the second duke of Florence, to prepare maps and a huge terrestrial globe which is still preserved. The maps were hung on the walls in the Palazzo Vecchio in Florence.
During his time in Tuscany Danti had continued his interest in astronomy and in particular he had designed a number of astronomical instruments. Two of his instruments were set up in the church of Santa Maria Novella in Florence to make accurate determinations of the vernal equinox so that he could determine the error in the calendar. In order to calibrate the astronomical year Danti had to calculate accurately the height of the noon sun, which he achieved by making a small hole in the round window of the church to act as a camera obscura. Later he made another hole higher up the south facing facade of the church and, to allow the light to strike this hole, he had to cut a slot in the vault of the church which can still be seen today.
In 1574, using his various instruments, Danti detected the 11 day error in the calendar when he calculated the vernal equinox to have fallen on 11 March rather than on 22 March as it should for the calendar to be in step with the seasons.
In 1580 Gregory XIII appointed Danti as Papal Cosmographer and Mathematician and so he went to Rome where he also served on the commission to reform the calendar.
He ended his career back in the church being appointed Bishop of Alatri in Campagna in 1583. It was an appointment made by Pope Gregory XIII in appreciation of the work which Danti had undertaken for him in Rome.
So his map making was done in two separate phases, for two separate patrons. First a Medici then a pope.
Echoes of the Bishop of Upsalla and Tycho Brahe.
From here Cartographer, astronomer and great Dominican: Egnazio Danti Meanwhile in Florence, the successor of the Grand Duke Cosimo, Francesco I broke off all relations with Danti. Invited in Rome by Pope Gregory XIII Danti worked with great passion to the making of the Vatican maps, becoming the official pontifical mathematician and member of the commission for the reformation of the former Giulian calendar. He also followed up the works of other painters called by the Pope, to continue after Raphael, to draw the maps of Italian territories.
from the google page containing the map
The scroll reads: "The island of Tile, today called Iceland that is glacial land, was very celebrated by the ancients who thought it was the last part inhabited of the artic pole. The land is very mountainous and the flat lands offer wonderful pastures so they have all sorts of livestock. There is a mountain that always burns and it is believed to be the mouth of hell, since you can often hear sounds of people screaming coming out of it."
This fellow is yet another 'religious man' writing out history 'on the fly' or so it seems to me.
From here Della Dora on Fiorani, 'The Marvel of Maps: Art, Cartography and Politics in Renaissance Italy' | H-HistGeog | H-Net As Fiorani convincingly shows, the Florentine duke, who had made the cosmos central to his own iconography through the motto "Cosmos Cosmoi Cosmos" (the Cosmos is Cosimo's Ornament), had a particular fascination with cosmography. "A means to universal knowledge and global control," this discipline became an increasingly appealing entertainment to Renaissance rulers and led to a close relationship between the Dominican friar and cosmographer Egnazio Danti and his Florentine patron (pp. 41-43).
Of particular interest is Fiorani's analysis of the Maps' Gallery, that part of Danti's Vatican work best known to the public. Danti's forty monumental frescoed maps provided visitors to the Vatican Palace with a papal interpretation of Church history. As was customary in the Renaissance, Ptolemaic geography was used as a "naturalizing" link between disparate historical events reaching from Classical antiquity to the modern period, from the Church of Constantine to that of Gregory XIII
Danti's work certainly remains a unique achievement in Renaissance cartography.
When the cycle of consecutive painted maps, each three meters wide, was designed by the mathematician Danti in the Vatican palace at the request of Pope Gregory XIII from 1577 to 1581, a map of “Italy” already existed in print. But the sequence of maps that were organized in a “Gallery” that allowed the reforming pontiff to view the peninsula and nearby islands.
The project of mapping the region lay partly in the bravura ambitions of the Dominican cartographer, who travelled in the circuits of more than a few Reformation cardinals, but the ambitious reforming Pope.
It is emblematic of the conversion of a cartographical to a pictorial register in Danti’s larger enterprise: for Danti converted the static conventions of cartographical representation to a living landscape, as much as acting as a state cartographer. In an age of the reproduction of printed maps, the most lavish of which were hand-colored or colored by printed blocks, the lavishly painted cycle of maps was an exercise in opulence, for whose construction it seems no expense was spared in its execution and planning: striking in its rich blues and vibrant greens, the set of maps that draw from a range of nautical maps and terrestrial charts present an abundant landscape from the facing maps of the peninsula viewers of the cycle encounter.
Danti was a skilled cartographer who had created several painted maps of the world’s regions, modeled after the regional maps of the Venetian cartographer Gastaldi, for Cosimo I, as well as other painted regional maps for prominent churchmen in the previous decade.
Seems the Iceland map was done for Medici not the Pope and it seems to have been a copy of Ortelius's map.
Of the 53 maps eventually completed, 30 were painted by Dominican friar Egnazio Danti (1564-1575) and 23 by Olivetan monk Stefano Bonsignori (1575-1586). Twenty-seven were taken from Ptolemy's Geographia (2nd century AD) though they were updated to reflect contemporary writing, while the others, including those of America, were taken from a variety of more recent sources.